One of the motives was the act of Moral possession, eminently depicted by Andrzej Żuławski in the film Possession (1981). Photographs were created in the convention of an aesthetic thriller that surprises with its rawness. The leitmotif was internal insanity, and all emotions were topped with extreme exhaustion and apathy. The evoked vision shows the self-destruction of man and the image of ourselves on the way to own paranoia. Cooperation with the everyday world becomes a study of monotonous vegetation, abounding in the disturbances of necessary life activities.